Kid Cudi - Day N' Nite

My first music video choice of the week is "Day N' Nite" by Kid Cudi.

Fantasy vs. reality

The video closely follows the lyrics as it weaves itself into a story.  Kid Cudi relays messages of trying to find a way to get away from it all, away from the reality of life.  In the video, the audience is shown an alternate world as created by the music.  The scenes change from regular camera footage to animated and warped images; yet they are all under the control of Kid Cudi and therefore, the music itself.

Kid Cudi

As the video progresses, it seems that Kid Cudi is having a hard time telling the difference between this alternate world and reality.  Images from both worlds begin appearing without a necessary rhyme or reason, further emphasizing the lyrics Cudi is trying to get across.  Animations become both a part of people as well as props or background.

The camera angles remain relatively level and still throughout the filming, making the footage much easier to follow and watch, especially with the mass of changing colors and images already present.  Neither the song or the video are too intense; rather they are relaxed and could be considered odd or strange at times.

Gorillaz - Clint Eastwood

Serving as the first of two music video choices for last week is "Clint Eastwood" by Gorillaz.

Gorillaz

This is the first animated video I have chosen, and it is one of the first of this genre that made an impact on me.  In the video, each band member is portrayed by a character which one could assume represents their individual personalities.  Each movement is coordinated with the music with precision, as the images perform the song before a backdrop of light blue and white.

Eye focus

The song itself has a dark and eery sound which seems to flow through each of the characters.  The angles used to film the scenes also ensure an extra creepy factor as focus seems to constantly shift to the lead singers seemingly bottomless black eyes.

Fantasy vs. reality

As the verses are rapped, the scenery changes to encompass the alter-reality that has been created.  This is represented by the clouds in the background of the opaque rapper.  The use of shadows seems to bring us back to reality as they are only visible on the band members.  Shadows also create a darker effect when needed for emphasis.

Final Changes

For anyone actually following my blog, I would like to apologize as it seems it is always under maintenance.  What I am doing with this blog will always revolve around music and the videos produced for songs, I have just been unsatisfied with my formatting.  However, after much contemplation, I have decided how I think I will be able to continue to run things.  From now on, my posts will be like the last video I reviewed, "Bottom's Up".  Links will be provided for the featured artist(s), and the video will actually be on the page rather than being redirected.  Again, I am sorry for the constant changes, but this is finally it! Thanks for sticking it out.

Trey Songz - Bottoms Up ft. Nicki Minaj

My second video of the day is "Bottoms Up" by Trey Songz and featuring Nicki Minaj.

Trey and Nicki in action.

The music video ironically beings without music but rather a scene shared between Trey and Nicki.  The song begins at a normal level of loudness but as soon as the chorus breaks, so does the silence, and the picture.  As the music becomes heavier and louder so do the visuals of the artists being filmed as well as their surroundings.

Before we ever get a full shot of Trey's partner Nicki, we still see plenty of other women.  The setting of the song happens to be in a club, where there are girls dancing behind the artists in rhythm with the music. The audience gets a full scope of the over sexualized bodies of these women as Trey remains the focal point of attention.

Trey with dancer in club.

Like many other music videos, especially in this genre, the "Bottom's Up" video changes moods with the music.  The drunk-and-dizzy effect the camera gives off becomes more intensified as the lyrics and rhythms become heavier and more "animalistic".

Slightly Stoopid - Closer to the Sun

Once again another late one. Maybe I should just change my updates to twice every Monday, that way we will all have one more thing to share and learn about.  This will also be a better way for me to express myself and a variety of music all at once.

So, without further ado, my first music video of the week is "Closer to the Sun" by Slightly Stoopid.

http://youtu.be/SFGmnJQ_BF0

Closer to the Sun album cover

Although I have found it to be true that just because it's your favorite song doesn't always mean it will turn out to be your favorite music video, this example could prove uncommon.  Yes, Slightly Stoopid is one of my all time favorite bands, and quite honestly, this is one of my all time favorite music videos, and for many reasons. But just to name a few...

I have found the song itself to be soothing and comforting to the soul, and I'm not trying to sound cliche or cheesy either.  The group does not try to overcomplicate their sound yet it's complex enough to keep you mesmerized.  The lyrics, the voices, the guitars, the rhythm, it's all fantastic; but it's still missing that one last element: visual.  That's why I think this video really pulls it all together.

Interpretation of imagery from music 

video

Slightly Stoopid stays true to their reggae roots not only through their music, but through the video itself.  In Closer to the Sun, the screen opens with the main guitar riff and an animation of a tree unfolding as the song progresses.  Throughout the growth process, the camera shifts between the tree and footage of the band mates performing the song.

Beginning of animation during footage

A progression is also noted in the animation coloring scheme.  The music video begins in black and white until the tree develops leaves; in contrast, the live footage remains in black and white until the tree has grown enough that it's leaves begin to fall.  After this, we see color in the background of the film with the tree while the band members remain in black and white, but still in front of the ever changing tree.  The scenes seem to remain surreal and peaceful throughout.

Another side note: from here on out I will be listing information about the band, song, and album at the bottom of every post!  Enjoy!

Info: The song and the album title are both Closer to the Sun.  Released in 2005 under their own label of Stoopid Records, this was the bands fourth album and a year later they were asked to, and did, perform at Warped Tour for the first time.
Current band members: Miles Doughty (guitar, bass, vocals), Kyle McDonald (guitar, bass, vocals), C-Money (trumpet, keyboard), Dela (saxophone), Oguer 'OG' Ocon (congas, percussion, harp, vocals) & Ryan 'RyMo' Moran (drums)
Nifty find: The band was originally signed by Skunk Records under the direction of owner and Sublime's lead singer, Bradley Nowell (may he rest in peace).